My painting is an emotional excavation, a remainder of the present in ruins, a living archive of disintegration. Not an exercise in order or a simple game, but the trace of a confrontation between what collapses and what resists. Each piece is a conflict where matter, time, and memory dissolve and reconstruct themselves in an unstable balance.

I work between boundaries, where the line, the stain and the pigment struggle for space like remnants of a lost language. Cities are crumbling and we do not know if they are ruins of the past or presages of the future. Bodies fragment into mutant symbols. 

I am not looking for answers. I don´t impose meaning. 

My painting is not just gesture or matter: it is an archive of ruins in progress, a cartography of symbols that exist beyond collapse. In a world where crisis has become permanent, Visceral Abstraction does not just reflect reality— it confronts, dismantles, and transforms it into something new

I do not paint for passive contemplation. 
I paint to give the viewer the feeling of having observed something brutally honest.

Because when everything collapses, the only thing left is images.