S





THEATER OF ABSURD



The art works gathered here come from different moments and tensions, but they all have the same impulse: to record the moment when structures fail, symbols break down and the absurd imposes itself as the only certainty.

The idea is not to offer answers, but to invite the viewer to enter that intermediate, unstable space, where reality becomes blurry and time ceases to advance in a linear fashion. Each work is a fissure, a trace, a scene within a theater without a script.






Brick falling over the head

90x70cm
2025

It’s not a metaphor. Just absurd chance, centimeters from ending everything




Jonkie bird believes that everything is fine

90x70cm
2025

Calm while everything falls down. Denial is the only jonkie bird existence



Bird king with red shoes

150x100cm
2025

Yesterday he ruled, today he drifts. His kingdom? Only ruins







FRAGMENTED BODIES SERIE




The figures are broken apart manipulated by invisible forces. They exist in a constant state of tension, between collapse and reconstruction, autonomy and submission. Lines dissolve into ruins, stains become traces of lost identities. The bodies do not act on their own, but are moved, molded and broken by something that surpasses them...







Selfportrait

50x70cm
2017

Bones, tongue, flesh. A body breaking while affirming itself




San Vito Dance

2017

just a choreography of convulsion




Marioneta (Puppet)

35x25cm

No strings, no freedom either



El gato

2017
25x30cm

Just observing the landscape and cannot modify it.


Man with umbrella

2023

A useless gesture, waiting for something that never comes

















RUINS OF THE FUTURE





Buildings are not just structures; they are testimonies of time. They rise like as abstract prisons, monolithic blocks frozen at their breaking point, having supported too much, for too long. Now they break.

This is not a vision of destruction as an ending. When structures break, they always take something with them. 

These are not ancient ruins or futuristic dystopias; they are cities captured just before collapse. 





Escalera

90x75cm
2019

Promises ascent, leads nowhere. A city dreaming of itself

 

Tsunami
145x90cm
2019

Not water: overflowing paint, a city swallowed by its own anxiety



Nubes de angustia

100x150cm
2019

No past or future. Just the instant before everything collapses. Casandra dreams

Sonambulo caminando de noche
Sleepwalker at night

110x70cm
2019-2024














CAVERN AND ECHOES




This series is a bridge between the prehistoric and the contemporary, as if the walls of a modern cave were covered with the remains of a collapse. The use of automatic lines and faded backgrounds evoke archaeological fragments, something about to be erased.

The paintings are read as echoes of a civilization in decay, the figures are not heroes or mythological beings, but entities that are trapped in the collapse. They are records of human fragility in times of acceleration and destruction, in a world that is disappearing in front of our eyes. 







Cavern #1 – The Shaman of the Cave
40x40cm
2019



Cavern #2 – The Leaning Tower

40x40cm
2019




Cavern #3 – The Witness of the Cave

40x40cm
2019






XXI Century Caveman II

100x70
2019




XXI Century caveman

110x70cm
2019




Saqueadores del pasado (Plunderers of the past)

90x50cm
2019











PRIMITIVE GARTEN



In Primitive Garten, ruin is not a relic of the past but the ground for ongoing transformation. These images hold no romanticism: concrete cracks, the jungle devours it, and scars multiply across the surface. Nature is not a refuge, it is an organism that absorbs, assimilates, and distorts what remains. It is the present, the only structure that persists when everything else has failed.

The human presence fades into stains, erratic lines, and expanding fissures. Architecture does not disappear, but it no longer belongs to us.





SCRATCHES
50x70cm
2017




CEMETERY GARDEN
2017


Dragon flyng

2017



CONCRETE CONSUMED BY JUNGLE
35x25cm
2017


Song of the donkey

50x70cm
2017